Printing in Biblical times...1823

Love for the world of theater and spectacle runs deep in me and as luck would have it, I am married to a stagehand here in our windy city. Brad, otherwise known as Mr. Starshaped, is not only the muscle behind Starshaped but is a member of the Stagehands Local 2 union, which means he is usually found in one of the larger theaters downtown. For the last year he has worked on The Book of Mormon which needs no introduction. What might be less commonly known is that at the end of a long and successful theatrical run, the cast, crew and production staff will often share gifts given in a 'we did this together' spirit of solidarity. This is why our home is overrun with esoteric t-shirts from Kinky Boots, a transistor radio from Jersey Boys and other odds, ends and personal notes from the various productions that have toured Chicago.

Having printed a fantastically fun and vintage-inspired poster for Jersey Boys, we decided there was too much great material in Book of Mormon to let the opportunity pass. After exploring a number of ideas that were riffs off of the current print materials, I thought perhaps we could move in a different direction and mimic the actual book of Mormon. This decision was also fueled by the fact that the studio has some beat up old sign type that closely resembled that of the book.

Tbom3Instead of printing a solid background or otherwise literal image of a book, I created a more textured rectangle out of two layers of wood type, which gave the area a somewhat rustic (and a little pleather-y?) look. This is easily achieved by printing the back side of large wood type, and I used both 30-line and 20-line sorts. You can see how the individual letters are flipped:

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This is the final print. I used a dark gray paper, and brought in the gold starburst from materials used to advertise the show. If you're familiar with the songs of the production, then you will get the references to 'crushing it' and 'turning it off'; don't want to explain that and ruin it if you haven't seen it! The dates refer to when the show began and ended. After distributing these to everyone at the theater, the cast and crew passed them around to collect signatures, yearbook-style.

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Research led me to an extraordinary article about the original printing of the book of Mormon (letterpress printed, of course), and the potential for it having been a miracle given the short amount of time in which it was produced. Getting these posters done quickly was also something of a miracle, as they were hot off the press a few days before the end. And we don't have any angels sneaking in at night to sort our type!

It is always inspiring to see a show come together in a theatrical space, with so many disparate elements needing to work together. From the teamsters and stagehands that move and setup equipment and sets in a raw space to the crew that runs the same thing over and over for a year or more to the cast that has to bring it for every performance, it's a truly working class form of art. I couldn't be prouder of Mr. Starshaped and his continued passion for the work.

Going to Tarrytown

Like Marissa and Ned, Sarv and Graig were keen on wedding invitations that would resemble mini posters and they had great inspiration in the form of this vintage book cover: ramona

Given that letterpress printing doesn't have the opaque vibrancy of screen printing, we ran a few tests to see if we could successfully achieve two light colors on dark blue paper and were happy with the result; the colors were muted in a faded, old fashioned way. We decided on creating a piece that was 7x10", so that it would fold to 5x7" and mail in a standard A7 envelope. The image worked perfectly as a two-color linoleum cut after a little adjustment to the overall size and placement:

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The type is set in a mix of deco-meets-nouveau styles to pull the overall design into a more cohesive and streamlined form. It is printed in gold to pop out from the navy paper. The typesetting was very particular to achieve a subtle curve along the artwork.

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I loved having an opportunity to use our DeVinne type for their names; it's a lovely and quirky typeface from the turn of the century that sadly doesn't get enough play in the studio.

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The invitation folds in half, and on the front panel (what you see when you pull it out of the envelope) is a snippet of the overall artwork with their initials rendered in our mortised initial caps and an ampersand from the 19th century typeface, Dakota.

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The envelopes are sour apple green, and the reply cards are pale yellow to give a little pop to the color palette. We continued the abridged image on the envelopes in gold (the return address is on the back flap) and carried through the multiple typefaces on the reply.

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Here's a shot of the final suite. I intentionally did not score a few so that Sarv and Graig would have some unfolded ones as keepsakes or to frame.

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Emily + Frank

It's not every day that I get excited to print flowers, and our wedding invitation collections are decidedly devoid of them. But when Emily approached me about working from vintage Wizard of Oz book designs, these ones fell into place:

The flowers are actually from a border known as Wild Rose, which was originally produced by the Keystone Type Foundry around 1903. The studio has the two color variety, meaning that there are two sets of sorts, one for each color, in this case gold and warm red. With the success of the save the date cards, we moved on to the invitations. We tried options using the ornaments as is, and then considered enlarging the pattern to see how that would look. I would carve the two color image out of linoleum to give the invites a block printed feel.

The first set of linocuts went well, until I realized the trapping between the gold and red was sloppy. I carved the red color again to match it better, using a proof of the gold color as a stencil for this second set.

Then they were set to go, as was the type, a considerably simpler forme for us this time around!

Here is the final set, continuing the theme of warm red, gold and muted blue. The type is Canterbury, Della Robbia and Caslon.

Congrats to Emily and Frank, and a big thanks for being open to experimenting with our vintage type and linoleum cutting!