American Made... of course

badge We're pleased to announce that Starshaped Press is in the running for the Martha Stewart American Made awards! Between now and September 13th you can vote multiple times each day for us, or for one of the artisans in any category. We'd sure appreciate your support of old fashioned, real letterpress, and our passion for keeping the original methods alive.

And in true Chicago form, we're offering bribes! Anyone voting can email their address to us and we'll be sending out little print treats in the mail each week until the end of the voting. Vote on!

 

The Society of Typographic Arts

We recently finished a broadside project for the Society of Typographic Arts, located right here in Chicago. Obviously, typographic was the way to go! The broadside is intended as a welcome gift to new members and for promotional purposes, so it's scaled to 8x10" to fit in a mailer. It's printed simply in just one color on each side. sta1

I created a circular shape without actually putting any of the type on a curve. There are about 9 different typefaces of historical importance, combined with 19th century ornaments forced into a more modern configuration. Here's a little close up:

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The backside of the print has a small and subtle colophon that's directly behind where the front circle of type is.

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For this piece, the form images are just as beautiful as the actual print:

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It's always great to work with folks that love type as much as we do!

WNYBAC Book Fest

As you may recall, I've got a weak spot for the Western New York Book Arts Center since Rich and Carima of P22 fame got it going years back, and I've had the pleasure to print there in the past. This summer I was asked to contribute a linoleum cut for steamroller printing at their annual Book Fest. bookfestposterThe cut would have to be a large one, and mine is 4x2', officially the largest linoleum cut done at Starshaped. While thinking about what the image would be and what it would say, I wondered if I could potentially use my grandfather's recently inherited wood carving tools. My grandfather was an avid woodworker, churning out all manner of projects that would commonly be referred to as folk art. He loved Americana and patriotic imagery, and of these, his favorite was eagles. They were everywhere I looked when growing up, and to this day one watches over my grandmother's home. Finding and carving the appropriate eagle with grandpa's set of tools would be a tangible homage to the love of craft that he instilled in me.

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woodcuttoolsI looked at vintage eagle cuts and started to find a form that would work best in the size of linoleum I had. This is the first clean sketch.

eaglesketchThough I do love stars, there were too many here, and I felt it would be awesome to pull in imagery pertinent to what I do. This led to altering what the eagle carried to a composing stick for setting type and rolls of paper.

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After this, I scanned it to piece it together and add the text. Then it could be printed out in tiles to its accurate size and traced onto the actual linoleum.

eagletransferThe type used was HWT's American Chromatic and Antique Tuscan no. 9, which seemed fitting and appropriate, not only stylistically, but because they were digitized by Rich Kegler, WNYBAC founder, for The Hamilton Wood Type Museum. That's how we tie it all together, folks!

The cut took many nights.

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When it was largely finished, I roughly inked it in to see if any glaring problems popped up, and if anything else needed trimming. This was my first 'it's glorious...grandpa would be proud!' moment. And right after that, it was rolled and sent off to Buffalo.

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Printing via steamroller was not only more successful than I imagined, it was a lot of fun as well. Here's a little of the action, thanks to many great volunteers and a donated steamroller (at bottom). Prints were all done on dampened muslin:

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Here's a little video of the whole thing:

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Major success! There were 3 other talented printmakers represented under the steamroller that day, including Keegan Onefoot-Wenkman, Tom Rooney and Jodi Hamman & Christine Gallisdorfer:

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And looks who's parked behind our prints blowing in the breeze...

eagleprint10A little skeptical of the food truck phenomenon, I gave Lloyd's Tacos a spin, and they were hands down amazing.

lloydMeanwhile, there was also an artisan market, paper making and many other demos going on throughout the day including linoleum cutting.

linocutting2And Jo had her own Letterpress For Kids demo; more about that here.

joadampressAnd while the city of Buffalo hasn't always been amenable to local upstarts and the arts, they did fork over for some No Parking signs so that WNYBAC didn't have to print their own as they surely could have (another story):

noparkingAll in all, a fantastic day of printing and making new friends. WNYBAC is a beautiful facility that's still very much on a path toward finding itself and working at its full potential. You can help keep them vibrant by visiting their Indiegogo campaign.

Open House!

julysaleimage2013Ten years ago this week, Starshaped Press moved into our current location in the charming Bulldog Lock Co. Building in Chicago's Ravenswood neighborhood. Since then we've had the privilege to work with many great folks both in the city and around the world. It's time for a little change, and Starshaped is getting a studio makeover! This Saturday we'll be having an Open House and Sale to clear out the old and make room for the new. All of our prints and cards will be out for sale, and most will be heavily discounted; many are set to retire so now is your chance to grab them at crazy low prices. We also have lots of old typecases for sale and blank paper that's free to a good home.

Come and Visit!
Saturday, July 13th, 2013
10am - 2pm
4636 N. Ravenswood #103
Chicago, Illinois
773-728-6359

Amazing, Beautiful and Adventurous

When a client comes to you and says they want an invitation with an ornamental octopus and a frog with a waistcoat, you don't turn them down! Such was the case this Spring when we were approached to do an invitation celebrating a woman never interested in marriage and a stand up guy with two kids. Have fun with it, they said, as the wedding would be a celebration on many fronts. So we did: joikelty1The octopus definitely gave us a run for it, as it stylistically couldn't be too far off from the frog image and the delicate typefaces. So instead of using larger wood type elements that seemed out of place, the whole thing was created using 3 different border ornaments.

Tjoikelty5Before printing the ornaments, I carved a simple linocut of the octopus shape and laid that down first in transparent ink for guidelines.

joikelty6The invitation was printed in four colors, one at a time. After the transparent ink (this is usually used to create lighter tints of saturated inks) was done, the green came next, followed by the orange. Both are set up at the same time for the initial proof to make sure the leading and spacing would all be correct. Then the orange is taken out so the green can be printed. When the green is done, the orange is put back into the form and the green is taken out.

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Here you can see all but the blue set up and ready to proof.

Tjoikelty1Blue was the final color. There were a number of elements to get right here, from the top hat and face of the octopus to the curved type and plate of the frog. It was a joy to use some really beautiful type on this one, including the 2013. The studio only has this in figures, so it was a treat to finally have a good use for them. The June 28th is set in Headletter, a Chicago-designed typeface from Barnhart Bros. & Spindler.joikelty2

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Tjoikelty2And here's the full octopus in all of its glory.

joikelty3The invite was printed on gray chipboard and scored so that it would fold into a 6x9" envelope, which was navy blue to match the ink. This was such a treat to design and print; we love a unique challenge! And all the best to the happy family.