Of all the wonderful things that Fall brings, one of the most endearing is the annual gathering of printers and type enthusiasts that flock to the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. I've written about the museum here many times, and it was a treat to attend our second Wayzgoose there. The museum has had one hell of year, having to move from their location in the original Hamilton building to a new spot overlooking Lake Michigan. And they've done it up in style, with this classy sign painted with the humbling talent of John Downer. Let's face it. The best thing about getting to Hamilton is the folks we meet. This is the only time during the year that I get to see some of the printers and type enthusiasts I admire from around the world, as well as meet new, up-and-coming craftspeople. One of those I greatly admire is Tracy Honn, from Silver Buckle Press in Madison, who provided this year's incredible poster:
More on that later. After first arriving at Hamilton, we had a lovely dinner with old and new friends. One of the old friends was Scott Moore of Moore Wood Type, along with new friend Phil Moorhouse, all the way from Australia. Here they are enjoying dessert and sketching details of wood type production.
Friday was workshop day, and I taught Mastering Metal and Wood Type Composition, hoping to help the attendees improve their game with typesetting, really look at spacing issues and work with various typefaces in one piece. The museum's new space is incredible, and a better fit for the direction in which they want to go. There are distinct areas set up as 'classrooms', and this was our area, outfitted with a number of sign presses and a substantial run of wood and metal type:
Talented and all around great guy, Brad Vetter, helped out in the morning. Here he is assisting with hand burnishing some of the peskier type from Arlene's form.
Saturday was lecture day! This time around, I was speaking about Documenting Type Forms in the studio. Here's one of the three enthusiastic groups that sat in on the discussion. Notice anyone intimidating in this crowd? Yep, I was sweating.
Three of those intimidating people are right here. David Shields from Virginia Commonwealth, Paul Brown from Indiana University and Erin Beckloff from Miami University. Too much typographic knowledge for one photo. I'm surprised the camera didn't pop a spring.
While I was talking and answering questions, Jo was busy in the back printing up a storm! We packed her little homemade press and she created a number of pieces (hand illuminated, of course) for the Sunday print swap.
I had the pleasure of meeting Geri from Virgin Wood Type... finally. You know you're in the right place when a little gem like this ends up in your apron pocket.
Sunday morning presented one of the more thrilling moments of the weekend. The incomparable Dave Peat brought a large number of items to be given away as door prizes. You can see the crowd here, anticipating his talk about how different type forms can be created and the following giveaway.
Greg Walters, another fine APA member, was on hand, along with Bill Moran and Stephanie Carpenter, to call names for the prizes. It was agreed that this was the best form of The Price Is Right. Come On Down without having to guess at pricing!
Our new friend Tammy of Red Door Press from Iowa scored some large wood type.
Following Dave Peat (though it's hard to do so), was the annual print swap. All participants grabbed a table on which to spread their wares and got an opportunity to talk about print projects, techniques and interesting tidbits related to the craft. Here's our friend Lorraine with a growing bundle of awesome samples.
Jo always has a keen eye for art that's worth investing in, and she didn't disappoint this time around. Here she is with her first Dafi Kuhne print. And of course, Dafi himself, who led experimental chipboard type workshops on Friday.
A gratuitous shot for me, it's Matthew Carter holding one of our type specimen prints. Fuzzy photo? Sure. But you'd shake, too, if a MacArthur Genius was holding something you made.
It's always hard to say goodbye and head home. Jo had a great time hanging out with my two helpers for the weekend, Brad Vetter and Dan Elliot. And yes, Richard Zeid photobombed the second image. But we're sure glad he did.
And of course, the brains and heart behind the entire operation, Stephanie and Jim. The pure love for what they do coupled with a breakneck schedule for opening the museum cements the fact that this place is around to stay.
H. A little remnant of the old building, now living in the new. Yet another reminder that the building may change, but the spirit of preservation and good old-fashioned midwestern gumption will guarantee the success of a project, no matter how far fetched it might seem. While I like to think that we'll be at the museum again before the next Wayzgoose, that may not be the case. But the wait is made easier by the now constant connection to the friends we made while there, and that shared aspiration to become better printers, designers, typographers and teachers will sustain us all. Until next November.